Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Eugene Delacroix
Portrat des Sultans von Marokko

ID: 90004

Eugene Delacroix Portrat des Sultans von Marokko
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Eugene Delacroix Portrat des Sultans von Marokko


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Eugene Delacroix

French Romantic Painter, 1798-1863 For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him. Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul  Related Paintings of Eugene Delacroix :. | A Young Tiger Playing with its Mother | The Entry of the Crusaders into Constantinople | Men and Women in an interior | Mulay Abd al-Rahman,Sultan of Morocco,Leaving his palace in Meknes,Surrounded by his Guard and his Chief Officers | The Sea at Dieppe (mk05) |
Related Artists:
George M Bruestle
1872-1939 George M Bruestle Gallery
Jose Legarda
painted Portrait of Manuel de Alday, bishop of Santiago de Chile in 1772
Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet






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